So what happens if you’re a young, aspiring fashion designer at the Paris Fashion Week; you've got the clothes, the models and the venue; you've spent a fortune; and no one turns up?
To help avoid that nightmare scenario, fashion federations from around the world were lending young designers a helping hand at the Paris Fashion Week.
This week, the fashion federations of the United States, France, Britain and South Korea rented out space in the French capital to showcase the work of a dozen young hopefuls, help them meet buyers, suppliers and financial backers.
For the past few seasons, the influential Council of Fashion Designers of America (CFDA) has teamed up with Vogue magazine to sponsor an event dubbed "Americans in Paris", backed financially by Tommy Hilfiger.
Nine US designers will take over an ultra-chic Paris salon from Saturday to Monday for what the CFDA hopes will provide a major boost, both in terms of press exposure and sales.
The British Fashion Council set up shop this week in a loft in Paris's trendy fourth arrondissement (district), for a strategic push aimed at securing export markets for its up-and-coming young designers.
For the third year running, Seoul's metropolitan government flew 10 young designers to Paris for a meet-and-greet event dubbed "Seoul's 10 Soul", launched last Thursday (Australian time).
"Paris is the centre of the fashion world," said Woonseok Baek, director of Seoul's cultural industry. "If a designer can succeed here, he will succeed everywhere."
The main reason to come to Paris, he explains, is the swarm of fashion buyers concentrated in the capital during Fashion Week.
The 10 Korean designers each moved into a Paris showroom, staying on up to two months to consolidate their market position - all at the expense of the city of Seoul.
One of them is 34-year-old Hye-Jin Hong, in Paris for the third year running with her avant-garde label Studio K. Her last French trip translated into sales to London, Berlin, Italy - and even Japan.
"As an independent designer it is really difficult to come to Paris," she explained. "The project is like a stepping stone to break into the market."
The French couture federation has joined the showroom trend, bringing 10 young hopefuls together within a "Designers Apartment" aimed at building bridges with buyers, suppliers and potential financial partners.
Some, like Alexis Mabille, are also showing ready-to-wear collections on the Paris runways this week. Others like Yiqing Yin or Gustavo Lins are present only in the haute couture calendar.
"It is an alternative to a runway show, less costly and more conducive to building personal contacts," said Didier Grumbach, the federation's head.
"For a first show, the designer doesn't know who is going to turn up, and a buyer doesn't know who he is dealing with."
"For his first three seasons Jean Paul Gaultier didn't sell a single piece."
Brussels' centre for fashion and design, PAD, is also hosting a virtual runway show within the Belgian embassy, to "liven up" the collections on view in the capital's showrooms and help designers meet potential buyers.
Grumbach sees these mushrooming schemes as a sign of the ever-tougher competition in the fashion world.
"Brands have to emerge more quickly. They have no time to lose," he said.
Australia’s young designers don’t have quite the same level of assistance as their international counterparts, and either need a lucky break or significant resources and perseverance.
Akira Isogawa, who has been coming to Paris for 14 years, said Australian designers have unique issues to deal with such as barriers of distance, logistics and different seasons.
When he first arrived in Paris in 1998 with a suitcase full of samples, he says he was “lucky” because an Italian buyer was so impressed with his samples that she bought the entire collection for her Milan store.
"To show in Paris, you have to specialise with something your own handwriting," Isogawa said. "That is the key to guaranteeing loyal clients come back to you."
Australian designer, Collette Dinnigan, has been going to Paris for 17 years – although not in person this year due to the advanced state of her pregnancy. Dinnigan has been welcomed into the exclusive Chambre Syndicale du Pret-a-Porter des Couturiers et des Createurs de Mode, the governing body that manages Paris Fashion Week.
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